Pink Floyd - Wish You Were Here (Immersion Box Set)

Fans will be delighted with this lavish reissue of Pink Floyd's 1975 Wish You Were Here album, which topped the album charts in both the UK and the US. Containing the classic cut Shine on You Crazy Diamond, a tribute to founder member Syd Barrett, the Immersion version features the classic Studio album mixed in surround sound and digitally remastered. This limited edition high-quality box set features rare and unreleased audio and video material, plus a new 40 page oversized perfect-bound booklet, a book of original photographs edited by Jill Furmanovsky, exclusive merchandise, and facsimile collectables. Released November 4, 2011.

Audiophiles will find that the primary reason to purchase the set is all on disc five, which is the Blu-ray. This disc includes all the audio and visual content from the 2 DVDs, featuring the 70's quad mix and the new 5.1 surround mix by James Guthrie, along with the 2011 remastered stereo mix in 96kHZ lossless. There are vast differences between the quad and surround mix, and the remastered stereo has some spatial subtleties that truly make this classic album shine on.

Compared to the classic stereo mix, the quad version takes some creative liberties, and lacks some musicality found on all the other mixes. This mix feels dryer and spreads instruments very wide, leaving some wholes but also providing wonderful separation among the various instruments. A significant extra appears between Have a Cigar and Wish You Were Here, with a few bars added to the guitar solo after it has been compressed to the range of an AM radio. Likewise, the transition when starting to change stations is very smooth. Apparently, these bars were left on the cutting floor in the original stereo mix. Take notice of the subtle lowering of the guitar solo during the break between the versus, and instead the synths have been mixed somewhat louder, leading me to feel that this section doesn't carry as well as other mixes. On the other hand, I rather enjoy the swirling movement of the synthesizer during WYWH Part 6, but I can really hear how cheesy the analog synths tries to mimic the wind, which is not nearly as apparent in other mixes. Likewise, the synths during WYWH part 9 come across as dry, lacking some depth in the mix. Still, I do appreciate the movement of the buzzing shimmer that slowly brings the listener down at the end of this incredible album.

It truly is the 5.1 surround mix that makes this whole set worth owning. James Guthrie has taken the original stereo mix and created a fantastic surround sound experience. Unlike the quad mix, instruments are spread evenly and the whole sound stage is filled. There is no harshness, which is apparent in the quad mix, and the ambience matches the stereo mix with perfection. I really like the transition between WYWH part 5 and Welcome to the Machine. The sax solo is pushed out of the way and the rumbling of the machine comes in from the left rear speaker. The sax continues to move off to the front right and becomes more distant fading to the right back. The acoustic guitars and synths alternate left and right with an incredibly rich low end that cycles like the sound of a helicopter. The use of movement as the transmission locks into place is far superior from both the stereo and quad mixes, and the transition to the audience at the end is extremely smooth. While I miss the broad swirling of the synths during WYWH part 6, it is easy to become ecstatic about the bass that slides in with drum hits at the start of this part. The wind during part 6 literally sounds real, while the closing section, WYWH part 9 becomes spacious lacking the buzzing sensation heard on the quad mix.
The concert film segments far surpass the quality of the Dark Side of the Moon films. I especially like the animated film that is the backdrop to Welcome to the Machine. I skipped listening and watching the two DVDs, but did throw in the CD 2, which includes various live versions and alternate takes from both Wish You Were Here and Animals. Listeners will likely find the version Raving and Drooling to be an interesting predecessor to the actual album version of Sheep. Yet, even more Intriguing is the live version of You've Got to Be Crazy, which is an alternate version of Dogs. A hastened singing of the intro and ending verses truly represent how several incarnations of a piece are written before a final version was recorded for their upcoming album Animals. The alternate studio versions of both Have a Cigar and Wish You Were Here each have several minor differences. Taking a cue from folk music, Stephan Grapelli's fiddle is up front for the solos on the title track.

The extras except the books are simply worthless. Maybe there is a use for the table-runner, the clear marbles will just get left in the bag. For those who didn't make the concert tour in the 70's, I really don't see a reason to have facsimile ticket stubs either. For the beer drinkers, the coasters are fun, but will likely be trashed in short order. This leaves the books, one which includes pages of great artwork and the other one that includes photos of the band. It is great to see the original postcard expanded over two pages, among other alternate versions of images that came with the original album release.

Fore fans who wish to immerse themselves with this lavish collection, this box set is highly recommended. While I consider the box size to be annoying, and the extras to be essentially junk, it is still exciting to include this in one’s collection. For those wishing to obtain just the 5.1 mix, check out the Analog Productions Hybrid SACD multi-channel release, selling for about 60% less than the immersion box set. Although I don't have a copy of the SACD, over the years many have commented that they feel that edition is at least equivalent if not superior to the Blu-ray version. However, it does not include all of the copious extras.

DISC 1 – Compact Disc

Wish You Were Here digitally remastered by James Guthrie, 2011

DISC 2 – Compact Disc

Various live versions and unreleased alternate takes

DISC 3 – DVD-Audio Disc:

  • -Wish You Were Here,  James Guthrie 2009 5.1 Surround Mix (previously unreleased) in standard resolution audio at 448 kbps
  • -Wish You Were Here,  James Guthrie 2009 5.1 Surround Mix (previously unreleased) in high resolution audio at 640 kbps
  • -Wish You Were Here, Original Mix (1975) LPCM stereo
  • -Wish You Were Here, Quad Mix (previously released only on vinyl LP/8 track tape) in standard resolution audio at 448 kbps
  • -Wish You Were Here, Quad Mix (previously released only on vinyl LP/8 track tape) in high resolution audio at 640 kbps

DISC 4 - DVD (Audio / Visual):

  • -AUDIO VISUAL: Concert Screen Films:
  • -AUDIO VISUAL: Welcome To The Machine animated clip
  • -AUDIO VISUAL: Storm Thorgerson short film


  • -AUDIO: Wish You Were Here, James Guthrie 2009 5.1 Surround Mix (previously unreleased) high resolution audio at 96 kHz/24-bit
  • -AUDIO: Wish You Were Here, Original stereo mix (1975) mastered in high resolution audio at 96 kHz/24-bit
  • AUDIO VISUAL: Concert Screen films:
  • AUDIO VISUAL: Welcome To The Machine animated clip
  • AUDIO VISUAL: Storm Thorgerson short film

This edition released November 4, 2011


 Format Info

Blu-ray Audio-Video / 2 DVD-Audio-Video / 2 CD Deluxe Immersion Box Set with 96kHz / 24-bit 5.1 surround, 4.0 quad, and 2.0 stereo mixes. Also available as a Multi-Channel Hybrid SACD or on 180g Vinyl. Available via streaming services.



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Immersion Box Set


Multi-Channel and Stereo Hybrid SACD


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 About the Author

Wesley Derbyshire Profile Image

Wesley is a lifelong music enthusiast. He started his career in the recording industry in New York City as an audio engineer, producer, and studio manager. Subsequently he toured across America as a guitarist with the short-lived band Land's Crossing. After many years in the technology sector and amassing a substantial vinyl and CD collection, he delved into immersive audio and created Hi-Res Edition to share with other listeners about the sound quality and discrete mixes available on many formats. He recently upgraded his system to 5.1.4 Dolby Atmos and continues to seek out and share about the best sounding releases.


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